In my lead up to the Academy Awards, I had to see The
Theory of Everything, the well regarded tale of the life and times of
Stephen Hawking, as seen through the eyes (and the memoirs) of his ex-wife
Jane.
It’s Eddie Redmayne’s portrayal of the physicist that has
garnered all the attention and awards, and it’s not hard to see why. He
shows the deterioration of the man from a cocky (some could say arrogant)
student at Cambridge to the world renowned physicist with one of the most
recognisable “voices” on the planet. Its an incredibly moving
performance, without going “the full ret@rd” and keeping the man human behind
the electric wheelchair.
But it is Felicity Jones as Jane who has to carry a lot
of the film as Hawking becomes more incapacitated. She makes some tough
calls, sometimes bafflingly so, and drives / forces Stephen to deal with and
adapt to his changing physical abilities. The performance is nowhere near
as physical as that of Redmayne, but it needs to stay a strong and defiant and
animated character whilst Hawking’s world is reduced and more insular.
Overall as a film, it works. It’s a fairly standard
biopic so there is nothing particularly imaginative in how it is developed and
plays out, or about the cinematography, or the soundtrack, or anything
really. No, what makes this one stand out is the performances, and they
are riveting.
There are the odd (pardon the pun) stumbles, like when
the film goes a bit too cliché at a press conference, but overall it’s a slow,
quiet film with dignity and grace and a real pleasure to watch. I didn’t
feel particularly emotional at any stage, but I did feel educated and enjoyed
the fairly sedate journey.
Verdict: The actors in The Theory of
Everything raise the film above the average to the extraordinary. It
didn’t blow my mind, but it definitely made me think and kept me entertained
throughout – and what more can one ask? 8 theories out of 10.
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